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Profoto Announces New B2 AIR Off-Camera System with TTL

Profoto-901110-B2-250-AirTTL- Location-Kit-lamps-off-WEB

Profoto today has launched a new entry into its B-line AIR series lighting kits. While not quite as unique as they'd like to sell it as (it's basically the first true competitor to Elinchrom's Quadra system), it is the first system of its kind to offer Canon or Nikon TTL support, which does indeed give it quite a competitive edge as a strobe/off-camera flash solution. So, yeah, the B2, is an off-camera lightly solution that uses compact, lightweight heads combined with a compact traveling pack that make it more desirable for location work than previous portable systems have, and also make it small enough to target shooters who would normally use speedlights instead.

Profoto's take on this solution is based around a 250w/s pack that allows for true independent control of 2 flash channels (the Quadra system is based around a 400w/s pack with a fixed 1:2 output ratio between the two channels, for comparison). That's a little weak on power to target location studio lighting, and targets it pretty squarely at replacing your speedlights as a location solution instead. To further reinforce that notion is the focus on TTL lighting, complete with FP sync support (the flash heads, in fact, can fire at an impressive minimum duration of 1/15,000 second. The Quadra system's A-heads top out at 1/6000 second). The whole system is powered by a lithium-ion battery capable of delivering up to 215 flashes at full power.



The B2 is available with everything a la carte (heads, pack, li-ion batteries, cables, AC and car charger, carrying bag, etc...), but getting started you'll probably want to look at either the 1 head "to-go" kit or the 2 head "location" kit.

The 1 head to-go kit includes:

  • 1 Profoto B2 head
  • 1 B2 250ws Pack
  • 1 Li-ion Battery
  • 1 AC charger
  • 1 carry bag for pack
  • 1 location bag for kit

The 2 head location kit includes:

  • 2 B2 heads
  • 1 B2 250ws pack
  • 2 batteries
  • carry pack
  • location bag
  • AC charger

It's worth noting that none of the kits come with the Air TTL remote, so, if you're looking to use this system via TTL (or, indeed, via remote at all) you'll need to pick up one of those for Nikon or Canon.

The B2 system will run $2,995 for the location kit, $2,195 for the to-go kit, $695 per head, $1,495 for just a pack (no battery), and $229 per li-ion battery. The Air TTL remote you'll need to make it all work runs $406 for either Canon or Nikon. If this sounds like exactly the sort of thing that'll rock you world you can preorder pretty much all of this here.


Nikon D7200 Increments D7100 With Bumped Buffer and Low-Light AF


Well well well, what have we here? Why, it's a Nikon D7200, upgrade to the 2013 D7100 model. It's a pretty incremental bump over its predecessor, I can't really pretend it's not. The sensor is a new one, but ends up speccing just .1 megapixels more than the previous, and still lacks an optical low-pass (OLP) filter. Combined with the also typical processor bump (Expeed 4 instead of 3) you should see some increases in imaging quality, but they won't be the type you can reflect in specs. It still maintains the same ISO sensitivity range and 6 frames per second as its predecessor. The buffer speed is reported to be 30% faster though, which should help solve a common complaint on forums regarding the D7100's somewhat, er, underwhelming buffer for RAW shooters. The D7200 can now proudly buffer 18 full-size 14-bit RAWs, 27 12-bit compressed RAWs, or 100 full-rez JPGs before the buffer tanks. That's going to be the biggest improvement you see in this camera, however. The only other notable spec change is the new Advanced MultiCam 3500DX II autofocus module. The core specs, once again, remain the same with 51 autofocus points mostly covering the DX frame (and entirely covering the 1.3x crop mode frame) with 15 cross types and a center point sensitive to F8. The improvement here is in light sensitivity, and the sensor now boasts functionality as low as -3EV instead of just -2EV.

But hey, at least they built the wi-fi in this time, right?

The video capabilities have also gotten the usual incremental improvement, bringing them more inline with the D810 and D750 as far as features like zebra-striping, auto-ISO in manual, and the like go. Further towards the video vision is a new ME-W1 wireless mic with 164 foot range.

The D7200 will be available early April as a body only for around $1,199.95 or with an 18-140mm VR for $1,699.95. You can of course preorder those here. If you're looking for a solid DX-format hobbyist model in the meanwhile, the D7100 isn't much worse-specced and we still have those in stock in a variety of kits starting $996.95 (after $200 instant savings) for body only, and topping out at $1,496.95 (after a massive $630 instant savings) for a complete kit with 18-140mm VR and 55-300mm VR, WU-1A wireless adapter, 32GB SDHC card, camera bag, and a beginner's DVD. You can browse our remaining stock of D7100 deals here. But, if you're interested in those, I'd do it soon. With the new model announced, once these are gone they're going to be gone for good.


Panasonic Adds Two New Lenses to m4/3 Lineup

Panasonic today has announced two new Lumix lenses for the Micro Four Thirds system, a 42.5mm f1.7 portrait prime and a 30mm f2.8 macro lens with 1:1 reproduction.


The macro lens is properly the Lumix G Macro 30mm f/2.8 ASPH MEGA O.I.S. As mentioned just a moment ago (you didn't forget did you?) it's a true 1:1 macro, and with m4/3's 2x crop factor means it will have the final result of functioning like a 2:1 60mm macro. Not too dang shabby. The MEGA O.I.S. in the name means it has built-in lens-based image stabilization to help you keep things steady (though, if you're buying this to use on many Olympus bodies you'll want to turn it off, since it'll argue with the sensor-shift IS Olympus uses instead). Lens construction is pretty straightforward with 9 elements in 9 groups with just the one aspherical element mentioned in the name as the only exotic. Unlike the Olympus 60mm there's no weather-sealing here, and given the shots of it there'll be a lot less control in terms of focus limits too:


You'll be able to pick one up for $399.99 in April or so, and that means this link right here will be for preorders until then:


The portrait lens is formally known as the Lumix G 42.5mm f/1.7 ASPH POWER O.I.S, and is also a reasonably standard affair. With m4/3's usual 2x crop it's a 50mm f1.7 standard lens, the OIS stabilization has the same caveats as the macro did, with the note that the "POWER" iteration is supposed to be up to twice as effective as the older "MEGA" version. Construction shows 10 elements in 8 groups, and once again just that lone aspherical lens from the name as the exotic. This, too, will run $399.99 but the availability is more like May. The link below will be a preorder until then, but if you're reading this from the future (is it everything we ever dreamed it would be, future citizen?) then it may in fact just go to where you can buy one right now. But at this boring "present" moment, it's a preorder instead.


Sigma's Global Vision Gets Wider with 24mm f/1.4 ART



Sigma today has added another fast prime to it's ever-growing collection of incredibly well-regarded ART lenses. The 50mm f/1.4 and 35mm f/1.4 have both met with nothing but rave reviews for build quality, performance, and optical quality, and we've got a lot of faith this newest entry is going to keep that up. To that end, continuing to widen things up, we have the new 24mm f/1.4 DG HSM | A. Like its siblings it's a beefcake of a prime, certainly not one of the compact ones of yore. The 3.6" length and 77mm filter aren't too terrible though by modern lens standards, and while 23.5oz sounds quite hefty it does speak well of the amount of glass to be found inside the lens.


A promise which is indeed followed through on by the specs, with 15 elements in 11 groups making up the optical formula. To go crazy, 9 of those elements are specialty glass (2 aspherical elements, 3 FLD low-dispersion elements, and 4 SLD low-dispersion elements.) We don't have any empirical testing on it yet, but the MTF charts from Sigma look promising:

401_mtfchartIt will of course be compatible with Sigma's USB dock for fine tuning your AF performance for your camera and style. In Canon and Nikon mounts, availability and price TBD. Check out more on our site:

Sigma 24mm f/1.4 DG HSM | A



Nikon Looks to the Stars with World's First Full-Frame DSLR for Astrophotography


File this under "Cool, but pretty darn niche," but Nikon has announced a new astrophotography camera based on the D810, and dubbed reasonably the D810A. It's the first astro-specific camera we've had since Canon discontinued the 60Da, and the first of its kind to bring full-frame to the table. Unless you spend a lot of time looking at the stars this isn't going to be a camera for you, because while there are a lot of fine tweaks to earn it that "A" most of them won't matter for general shooting, and one of the main ones will actually make the camera less than ideal for anything other than long-exposure night shots. That change being the biggest part, a modification to the IR filter letting more of the IR spectrum (656nm) needed for astro-photography in (at the cost of probably adding a pervasive red tint to normal old daylight photos where you don't need that extended range). Other changes include manual shutter speeds all the way up to 900 seconds (15 minutes) before you have to break out the bulb mode and a virtual preview for long exposures to help you get your composition and focus right. Before you spend 15 minutes on the shot.

Nikon provides this table to break down the difference between the D810 and the D810A, but the big take-away is still that unless you're just shooting stars, you just want the regular model. If stars are your thing though, this is going to be the ticket.


The D810A will be available in May, but Nikon doesn't have any pricing yet so stay tuned. If you're interested regardless of the future cost, check it out on our site:

Nikon D810A


Canon Brings the Resolution with New EOS 5DS Twins


Well, we've all heard the rumors so we knew it was coming, and today's the day for it. Canon has come clean with the EOS 5DS and the EOS 5DS R, two megaliths of resolution with 50 megapixel full-frame sensors. Of course, you can't just more than double the resolution of a sensor without any consequences, and in this case the big thing to note is the 5DS twins are not gunning to be low light kings, their native ISO range is down to 100-6400 compared to the 100-25,600 range of the EOS 5D Mark III they build on. To that end, the 5D Mark III is going to remain in the line-up as the low-light choice, while the 5DS twins are best thought of as studio and landscape variants for people with more specific needs. Other than the ISO thing, Canon has done an admirable job keeping the compromises to a minimum in these new bodies. Dual DIGIC 6 processors will keep them humming along at 5 frames per second despite their currently-record-breaking resolution, although even on a UDMA7 card you'll see that top out at about 14 frames. There's still only so fast you can move 50mp worth of data after all. And, to make your decision between them and the 5D Mark III even harder, both sport the same stellar AF system debuted in the EOS 7D Mark II, with a 61-point AF system containing 49 high-accuracy cross-type points married to a 150,000 pixel 252-zone metering system.

Other than the giant bullet point of the sensor, the twins have only a few new features to offer over predecessors. Mostly small tweaks. There's a new customizable quick control screen for getting to settings you use often faster, and they are the first Canon's to offer time lapse video controls right in the camera (with programmable intervals from 1 second all the way up to just 1 second shy of 100 hours!).

The difference between the 5DS and the 5DS R is the same place Nikon was a few years ago with the D800 and the D800E. They are the same camera except the 5DS R effectively negates its antialiasing filter to maximize the possible resolution with the usual caveat of increased moire (but hey, thanks to Nikon breaking the ground here Lightroom has already provided a moire slider for years now, so, once it adds support for these you'll be good to go, right?).



Oh, and hey, to go along with them Canon has also announced a shiny new EF 11-24MM F/4L USM super-wide angle lens. Didn't we just mention landscape photographers as an ideal market for these twins? Guess Canon thinks so too...



EF 11-24MM F/4L USM


Olympus Announces OM-D E-M5 Mark II


Presumably looking to make a splash Olympus has announced the successor to their popular OM-D E-M5 today, uncreatively named the OM-D E-M5 Mark II. There's a note here that I should always spell it out as "Mark II" and not contract it. So, there you have it. It's the Olympus OM-D E-M5 Mark II. Take note of that and make sure to get the hyphens all in the right place, there'll be a quiz later and the ridicule of your peers if you get it wrong.

Moving on.


The OM-D line continues to be Olympus' pro-oriented line of 4/3 mirrorless bodies. They still sport the same 4/3 size 4:3 aspect ratio 2x crop factor sensors Olympus cameras have since they went digital, and still uses the smaller m4/3 mount that's probably the best supported mirrorless mount on the market.


And this is just the Olympus line-up. Panasonic, Sigma, and Lensbaby all also support this same mount

On paper most of the specs of the E-M5 Mark II don't differ much from the original. It's still a 16 megapixel LIVEMOS sensor, 5-axis image stabilization, weather-sealing, built-in wifi, yadda yadda. I suppose I could be boring and dwell on the fact that the rear display is now a vari-tilt model


But, you'd probably rather hear about how the all-new 16mp sensor in this model can utilize that 5-axis image stabilization system to enable a 40mp high resolution mode, wouldn't you?

Yeah, I thought so...

Olympus seem to have taken a page straight out of Hasselblad's playbook and are using controlled sensor shifting and multiple exposures to yield a higher resolution picture without the consequences of squeezing more pixels onto the same chip (increased noise, decreased dynamic range, etc).  Unlike the Hassy it won't cost you $36,000 to play with this feature (though, I suppose, 40mp also isn't 200mp... let's just stop comparing apples to oranges now then...)

Other sensor improvements include dragging the native ISO range down to the curiously labeled "approx" 100, and still up at 25,600 on the top end. The shutter speed also gets a bump up to the proper 1/8000 and not the slightly less "ticks every box" 1/4000 of the original. It has received a minor bump from 9 to 10 frames per second, and a major bump in being able to shoot at the speed forever in RAW (subject to the card), and not just for 11-17 shots.

Oh, yeah, and remember how awesome the AF system was on the original? Well, it's got over double the points now, coming in at 81 areas and not 35.

Basically, the Mark II is a beast of a camera, especially for the $1,099.99 it's going to cost when it lands (body only in black or silver.) Hit the jump for more pretty pretty pictures, or the link below to go read more on our site and get your preorders in.

OM-D E-M5 Mark II

read more


Canon Updates Stalwart 100-400mm, Drops the Push-Pull And Ups The Sharpness

File this under "well, that took 16 surprising years" but Canon has graced our mornings with a shiny, SHINY new 100-400mm IS today.


Pretty much everything about the lens that could be upgraded has been. The quirky push-pull is gone, replaced with a traditional twisting zoom ring. But the stiffness and response of that zoom ring is still customizable, so, you can tweak how racking your 100-400 out works best for you. It has also switched to internal focusing, giving it yet another touch of the premium the original model was oddly lacking. The optical formula has jumped from 17 elements in 14 groups up to 21 elements in 16 groups, which has added only a few millimeters to the product but a sure-to-be-felt half pound to the weight. The trade-off for the extra time in the gym is a drop in minimum focusing distance from nearly 6 feet to just over 3 feet (bumping the maximum reproduction ratio up to .31x), and MTF charts that promise big, big things:



We'll have to wait and see how those pan out in the real world of course, but Canon is suggesting quite a notable increase in performance across the board at 100mm, with the sorta changes that will lead to it being visibly sharper across the frame. 400mm sees a less dramatic increase in sharpness performance, but should have a cleaner look especially in out of focus areas as they clean up the various astigmatisms on the graph a bit.

If you weren't already suspecting it, a new model with more glass and performance after a period of time long enough for an American child to grow up and start driving does come with a price hike. The new EF 100-400mm f/4-5,6L IS II USM will run $2,199.99 next month when it starts shipping, which is $500 more than the $1,699.99 price the outgoing model is sitting at. But chin up, Canonistas, that's still also $500 less than Nikon's equivalent offering in their camp.

If the price isn't too salty for you, and a better 100-400 is exactly the thing you've been waiting on, we're taking preorders now. No charge to preorder, and we'll call you once we have one for you and arrange payment only at that time. If you choose to or need to decline, you're free to do so and we don't tie up your funds in the interim.

Preorder a new 100-400mm II


Panasonic Announces New GM5 and LX100



Two new cameras announced by Panasonic today, one an entry into their G line of mirrorless compacts based on the 4/3 system, and the other a rather thinly veiled competitor to Sony's RX100 line of large sensor compacts called the, er, LX100. Yeah... So, there's that.

The GM5 will be a new entry in their "fashion" conscious line of mirrorless bodies, and will slot in above it's older and lesser sibling the GM1. Most notable in the differences is the sprouting of an EVF on the GM5, as well as a hotshoe (using the same ISO-standard mount and pin configuration of all Olympus and Panasonic flashes.) Also of curious note is a maximum shutter sped of 1/16,000. Which is not something I read every day. It's a pretty solid shooter in other regards too, with a 16 megapixel sensor, ISO up to 25,600, a much improved AF system, built-in WiFi, and a continuous drive of almost 6fps. Release is Novemberish and it'll run $899 with a 24-64mm equivalent lens.

Lumix DMC-GM5 with 12-32mm



The other camera, the LX100, is part of a quickly growing market of compacts with 1" sensors and fast lenses. The Panasonic entry is a step-up from its already tried-and-true LX series including the LX7, and will sport a 12 megapixel sensor behind a newly Leica-designed 24-75mm f1.8-2.8 equivalent lens. It has a high resolution EVF for still shooting, and on the video side does the regular HD twins of 720 and 1080, but is also ready to do 4K at 30fps. It'll turn in focus times as fast as .014 second, with the depth from defocus feature inherited from the bigger G series to help cheat a bit more subject/background separation from the still ultimately smaller sensor. It'll go as fast as 1/4000 second with the mechanical shutter and up to 1/16,000 with the electronic. Wifi, NFC, yadda yadda. And an $899 price tag this fall.

Lumix LX100


Canon Announces New G7 X, Three New Lenses, 2 Other New Powershots

The 7D Mk II wasn't Canon's only new announcement today. Oh no. They've kept me and my minion hopping this morning with a total of 7 new products. Sure, the 7D Mk II is probably the most exciting, but let's just give the others a quick skim here.


Second most exciting is probably the G7 X professional compact. As always representing the high end of Canon's compact line, and aimed at being a support camera for pros, the G7 X sports a 20.2 megapixel Canon-Powershot-first 1" CMOS sensor behind a 24-100mm f1.8-2.8 equivalent zoom lens. The optical viewfinder has gone the way of the dodo still, which'll be a strike against it for a lot of you we know. To make up for it the LCD is a nice 3" mutil-angle touch model, though the usual complaints about daylight visibility we can't speak to from the spec sheet alone. For novelty, it has 4 new scene modes for capturing starry skies, and for actually being useful it has raw file support. Wifi is built in, and of course it does 720p and 1080p video.

It'll set you back a not-unreasonable $699.99 next month, we hope.

Preorder a G7 X




Let's go ahead an knock out the other two PowerShots real quick, because while nice they're a bit more "another year, another camera" than most of today's announcements. The SX60 HS' standout feature is the  65x optical zoom (equivalent to 21-1365mm). It's got a 16mp sensor being piped through a DIGIC 6 processor, built-in GPS, and will run $549.99 next month. The N2 is the update to last year's funky square selfie cam, and, er, yeah. It's still a funky, square selfie cam. Built-in NFC and wifi set it up for quick social sharing, and an 8x zoom helps it, ah, zoom? It'll run $299.99 later this year, in black or white.


Back to more interesting products we have an unexpected update to the 400mm DO IS, called as you might expect the  EF 400mm f/4 DO IS II USM. If you're not used to the green ring lenses here (and what with there only being a couple of them, and them being specialty as is we won't blame ya) the DO lenses use diffractive optical (DO) elements, which are schmancy exotics that raise the cost but lower the size and weight of the lens. The 400mm DO II will weigh only 4.8lbs, which is still half the weight of the 400mm 2.8 II, so, there's that. If you need a more affordable, lighter telephoto than the 400mm f2.8 II, but still have a bit of money to burn on a premium telephoto this might be worth a look, and will require you to drop $6,899.00 to add to your bag. Preorders while we wait on it to begin shipping are here:

EF 400mm f/4 DO IS II USM


Also new is a 24-105mm f3.5-5.6 IS STM lens, which is their first full-frame zoom with a stepping motor for smooth AF in video mode. That's actually pretty much the sales pitch, it's a full-frame zoom with STM for smooth video AF though not particularly exciting aperture ranges, and it'll set you back a reasonable $599.99 for the combination.

EF 24-105mm f/3.5-5.6 IS STM


And, lastly, how about a 24mm STM pancake prime?


You might notice it says "EFS" on there, so, full-framers need not apply here. But for you APS-C guys (like that new 7D Mk II) who'd enjoy a compact, light 24mm f.8, well, soon enough $149.99 will get you one. And it's STM to boot.

EF-S 24mm f/2.8 STM