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About Derek

Our resident web guru, Derek graduated from Ball State with a BFA in Visual Communications. When not in the office slaying CSS dragons, jousting social media windmills, or working on the blog, he's also a fine artist, working in oil paints and photography. Derek Martin+

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Buying Gifts For Photographers (When You Aren't): Part 1, Canon and Nikon Lenses

Well everyone, it's getting on into that time of the year again. Holiday shopping! And as you might expect, around this time of the year a lot of the orders we're getting are gifts for people other than the ones buying them. And in a technical market like photography this sometimes leads to a problem: how do you buy a gift for your photographer friends and family, people who know what all these cryptic names and numbers mean, but you don't? Well, we can't realistically teach you everything you need to know to ease those woes in the short shopping season, but we can give you a few easy pointers that might help make it less terrifying.

Today we're going to talk about lenses for "the big two:" Canon and Nikon. While these certainly aren't the only brands on the market (I have myself shot Olympus, my future brother-in-law shoots Sony, and there's Leica, Pentax, Panasonic, Fuji, and oh so much more too), they do account for a very large chunk of the market. The odds are in your favor that your photographer friend uses one of the two of them, and especially if they're just getting going a cheap lens like a 50mm or 35mm prime, or a nice used one might come up as a gift idea. And they are! But, there are a few pitfalls you as a loving gift giver and savvy shopper would like to avoid, and without burdening you too much with the technobabble behind them we'll help point out a couple here real quick.

1. DSLRs have different size sensors.

Unlike pretty much every film camera you've probably seen someone using, that all took the same 35mm film, DSLRs actually commonly have one of two basic sensor sizes. Cheaper ones will have a smaller one often called a "crop" sensor, and many more expensive ones (though not all of them) will have one the same size as 35mm film called "full frame." The reason you need to know this is because there are some lenses made only to be used with the smaller sensor. These "crop" lenses can be made smaller, and smaller means cheaper, and cheaper means they're likely to be tempting gifts. And that's great so long as your giftee has a crop camera. So, step one is to figure out if you're buying for a "crop" or "full-frame" camera. You could always just ask them, most photographers will certainly know. If they don't but you can find out the model of their camera you can also very easily look up whether they have a crop or full-frame sensor.


Once you know whether or not they have a crop or full-frame sensor, here are your handy tips:

  • Lenses made for full-frame sensors can be used just fine on both full frame and crop
  • Lenses made just for crop sensors will be specially noted right in their names
  • Canon crop lenses will have "EF-S" in the name. The -S is the key part. Think of it as "EF-Small"
  • Nikon crop lenses will have "DX" in the name. If you don't see a DX, it can be used for either full frame or crop.

Tamron's 18-270mm Is a Popular Lens Available For Both Canon and Nikon

But, wait! What about third party brands, like Tamron and Sigma, who make some excellent (and honestly more affordable) lenses for Canon and Nikon? Their names look different, and I don't see an EF-S or DX in any of their names! How do I know which ones work with these "crop" and "full-frame" cameras you're talking about?

Good question! These brands also note whether they're for crop sensors, but for copyright reasons they use different terms.

  • Tamron crop lenses will have "Di-II" or "Di II" in the name
  • Sigma crop lenses will have "DC" in the name (for "Digital Crop" actually)
  • Just like with the brand Nikon and Canon lenses, if you don't see either of those terms in the name it'll work on both full-frame and crop bodies

2. Nikon Autofocus

This is just for the Nikon people, and mostly just if you're shopping used lenses. A lot of modern Nikon DSLRs cannot autofocus older Nikon autofocus lenses. Without having to know the technical stuff there is once again a super-easy way for you to know if you're getting a lens that can autofocus on any camera. Nikon's universal, new autofocus system is indicated by an "AF-S" in the lens name. Older ones will only be called "AF" without the important "-S". All new Nikon lenses are AF-S anyway, you'll only run into this worry when you start looking for used.

To further help you, here is a list of the Nikon DSLRs that require the use of an AF-S lens for autofocus: D40, D40x, D60, D3000, D3100, D3200, D3300, D5000, D5100, and D5200. All of the other Nikon DSLRs can use the old AF lenses just fine, if your budget is tight.

3. Canon EF

This one is just for the Canon people, and again really just if you're buying used. Canon has had two different lens mount systems in its time. The original one all those Canon AE-1's in your closets used back in the 70s was called FD. Any Canon camera with EOS in the name uses the newer EF (or EF-S, if crop) mount. It is important to know that the old FD lenses absolutely won't work on EOS digital cameras. They physically cannot be mounted. This is a pretty common mistake and we want to help steer you away from it right now. Be sure that the lens you're buying for your friend's and family's digital Canon have an EF somewhere in the lens name and you'll always be OK.

4. Buying With Confidence

We know the stuff we sell is highly technical, and highly specific. We don't want you to be afraid to gift it because of that. Leave a gift message on anything you buy from us until Christmas Eve and we'll extend the exchange period on it until January 10th! If it's not right for your giftee, or they need something slightly different, we'll take care of them. We'll make sure one way or another that your gesture of love and thoughtfulness ends with them having the item they want and need for their specific kit. So, even if you do get a bit buried under all the technobabble and alphabet soup, we've got your back. No worries.

Have you checked out our starter's list of 30 gift ideas for photographers all under $200? It's a great place to start...


Canon Updates Stalwart 100-400mm, Drops the Push-Pull And Ups The Sharpness

File this under "well, that took 16 surprising years" but Canon has graced our mornings with a shiny, SHINY new 100-400mm IS today.


Pretty much everything about the lens that could be upgraded has been. The quirky push-pull is gone, replaced with a traditional twisting zoom ring. But the stiffness and response of that zoom ring is still customizable, so, you can tweak how racking your 100-400 out works best for you. It has also switched to internal focusing, giving it yet another touch of the premium the original model was oddly lacking. The optical formula has jumped from 17 elements in 14 groups up to 21 elements in 16 groups, which has added only a few millimeters to the product but a sure-to-be-felt half pound to the weight. The trade-off for the extra time in the gym is a drop in minimum focusing distance from nearly 6 feet to just over 3 feet (bumping the maximum reproduction ratio up to .31x), and MTF charts that promise big, big things:



We'll have to wait and see how those pan out in the real world of course, but Canon is suggesting quite a notable increase in performance across the board at 100mm, with the sorta changes that will lead to it being visibly sharper across the frame. 400mm sees a less dramatic increase in sharpness performance, but should have a cleaner look especially in out of focus areas as they clean up the various astigmatisms on the graph a bit.

If you weren't already suspecting it, a new model with more glass and performance after a period of time long enough for an American child to grow up and start driving does come with a price hike. The new EF 100-400mm f/4-5,6L IS II USM will run $2,199.99 next month when it starts shipping, which is $500 more than the $1,699.99 price the outgoing model is sitting at. But chin up, Canonistas, that's still also $500 less than Nikon's equivalent offering in their camp.

If the price isn't too salty for you, and a better 100-400 is exactly the thing you've been waiting on, we're taking preorders now. No charge to preorder, and we'll call you once we have one for you and arrange payment only at that time. If you choose to or need to decline, you're free to do so and we don't tie up your funds in the interim.

Preorder a new 100-400mm II


Panasonic Announces New GM5 and LX100



Two new cameras announced by Panasonic today, one an entry into their G line of mirrorless compacts based on the 4/3 system, and the other a rather thinly veiled competitor to Sony's RX100 line of large sensor compacts called the, er, LX100. Yeah... So, there's that.

The GM5 will be a new entry in their "fashion" conscious line of mirrorless bodies, and will slot in above it's older and lesser sibling the GM1. Most notable in the differences is the sprouting of an EVF on the GM5, as well as a hotshoe (using the same ISO-standard mount and pin configuration of all Olympus and Panasonic flashes.) Also of curious note is a maximum shutter sped of 1/16,000. Which is not something I read every day. It's a pretty solid shooter in other regards too, with a 16 megapixel sensor, ISO up to 25,600, a much improved AF system, built-in WiFi, and a continuous drive of almost 6fps. Release is Novemberish and it'll run $899 with a 24-64mm equivalent lens.

Lumix DMC-GM5 with 12-32mm



The other camera, the LX100, is part of a quickly growing market of compacts with 1" sensors and fast lenses. The Panasonic entry is a step-up from its already tried-and-true LX series including the LX7, and will sport a 12 megapixel sensor behind a newly Leica-designed 24-75mm f1.8-2.8 equivalent lens. It has a high resolution EVF for still shooting, and on the video side does the regular HD twins of 720 and 1080, but is also ready to do 4K at 30fps. It'll turn in focus times as fast as .014 second, with the depth from defocus feature inherited from the bigger G series to help cheat a bit more subject/background separation from the still ultimately smaller sensor. It'll go as fast as 1/4000 second with the mechanical shutter and up to 1/16,000 with the electronic. Wifi, NFC, yadda yadda. And an $899 price tag this fall.

Lumix LX100


Canon Announces New G7 X, Three New Lenses, 2 Other New Powershots

The 7D Mk II wasn't Canon's only new announcement today. Oh no. They've kept me and my minion hopping this morning with a total of 7 new products. Sure, the 7D Mk II is probably the most exciting, but let's just give the others a quick skim here.


Second most exciting is probably the G7 X professional compact. As always representing the high end of Canon's compact line, and aimed at being a support camera for pros, the G7 X sports a 20.2 megapixel Canon-Powershot-first 1" CMOS sensor behind a 24-100mm f1.8-2.8 equivalent zoom lens. The optical viewfinder has gone the way of the dodo still, which'll be a strike against it for a lot of you we know. To make up for it the LCD is a nice 3" mutil-angle touch model, though the usual complaints about daylight visibility we can't speak to from the spec sheet alone. For novelty, it has 4 new scene modes for capturing starry skies, and for actually being useful it has raw file support. Wifi is built in, and of course it does 720p and 1080p video.

It'll set you back a not-unreasonable $699.99 next month, we hope.

Preorder a G7 X




Let's go ahead an knock out the other two PowerShots real quick, because while nice they're a bit more "another year, another camera" than most of today's announcements. The SX60 HS' standout feature is the  65x optical zoom (equivalent to 21-1365mm). It's got a 16mp sensor being piped through a DIGIC 6 processor, built-in GPS, and will run $549.99 next month. The N2 is the update to last year's funky square selfie cam, and, er, yeah. It's still a funky, square selfie cam. Built-in NFC and wifi set it up for quick social sharing, and an 8x zoom helps it, ah, zoom? It'll run $299.99 later this year, in black or white.


Back to more interesting products we have an unexpected update to the 400mm DO IS, called as you might expect the  EF 400mm f/4 DO IS II USM. If you're not used to the green ring lenses here (and what with there only being a couple of them, and them being specialty as is we won't blame ya) the DO lenses use diffractive optical (DO) elements, which are schmancy exotics that raise the cost but lower the size and weight of the lens. The 400mm DO II will weigh only 4.8lbs, which is still half the weight of the 400mm 2.8 II, so, there's that. If you need a more affordable, lighter telephoto than the 400mm f2.8 II, but still have a bit of money to burn on a premium telephoto this might be worth a look, and will require you to drop $6,899.00 to add to your bag. Preorders while we wait on it to begin shipping are here:

EF 400mm f/4 DO IS II USM


Also new is a 24-105mm f3.5-5.6 IS STM lens, which is their first full-frame zoom with a stepping motor for smooth AF in video mode. That's actually pretty much the sales pitch, it's a full-frame zoom with STM for smooth video AF though not particularly exciting aperture ranges, and it'll set you back a reasonable $599.99 for the combination.

EF 24-105mm f/3.5-5.6 IS STM


And, lastly, how about a 24mm STM pancake prime?


You might notice it says "EFS" on there, so, full-framers need not apply here. But for you APS-C guys (like that new 7D Mk II) who'd enjoy a compact, light 24mm f.8, well, soon enough $149.99 will get you one. And it's STM to boot.

EF-S 24mm f/2.8 STM



About Time It Got Here: The Canon EOS 7D Mk II


After what seems like ages of speculation and price drops and rebates on the original EOS 7D, Canon has finally announced the actually truthfully long-awaited successor to the EOS 7D. Sitting atop their APS-C line the EOS 7D line is aimed at professionals who prefer the weight and space savings of a compact body. And previously, that trade in size was at the cost of the absolute very best performance going, but if I'm reading that spec sheet right, the EOS 7D Mk II doesn't really come with any of those trade-offs.

So, I said it's an APS-C model, and to be specific it's of their beloved funky 1.6x crop factor. Full-frame shooters still need to look at the 5D or 1D X line. The sensor is a newly developed 20.2 megapixel model being piped through not one but two of those shiny new DIGIC 6 processors. As a result, you get native ISO of 100-16,000 (expanded 100-51,600) and 10 frames per second continuous shooting for 31 raw frames or 1,090 JPG. And, because fast shooting like that needs a strong AF system underneath it, Canon has drastically upgraded the AF module for this camera. It features 65 points now, and every one of them is the more accurate cross-type. EVERY. ONE. The center one is also sensitive down to -3EV, but really, can we go back to talking about how Canon fit 65 cross-type points on a sensor? I don't envy their engineers these past couple years, I'll tell ya that. To round out the imaging heart is a new 150,000-pixel RGB+IR 252-zone metering sensor, and a shutter life beefed up to 200,000 exposures.

So clearly the 7D Mark II is off to a solid start. Let's see what else there is in the announcement here. Hmmmm-hmm-hmm. Well, in addition to being a boss all cross-type AF system, it inherits the dual-pixel AF from its little bro the 70D letting it do contrast and phase detection at each point for smoother more accurate focus in live view and especially in video mode. It picks up the HDR and multiple exposure modes found in its full-frame counterpart, the 5D Mark III. Additional flexibility comes through the addition of an intervalometer and a bulb timer for those creative time lapse projects. The "Intelligent Viewfinder" has approx. 100% coverage, the LCD is a bit smaller than the going rate at just 3", but is at least 1,040,000 dots for making images look downright fuzzy as soon as you import them to your computer, and hey, it looks like GPS is built right on in there.

Video mode gets a bump, with it shooting in 720p or 1080p at up to 60fps, which it says enables it to do slow-motion capture at full resolution in either the ALL-I or IPB codec. You can also record in .MOV or .MP4, if you're into the more use-ready formats. A mini-HDMI port will pipe uncompressed stream to an external recording unit if you're looking to use this more professionally for your video workflow.

Canon's saying shipments will start in November, and you're looking at $1,799.00 body only or $2,149.00 with an 18-135mm STM lens. It'll use yet-another-new battery, the LP-E6N (though it will be backwards compatible with your LP-E6s if you have some), and a new battery grip, the BG-E16 (also works with the older LP-E6s), and a new wireless file transmitter in the form of the WFT-E7A Version 2. So, the camera itself is a nice price point, but if you want a grip or wireless transfer budget a little extra for accessories this time around.

Preorders? Eee-yup.

EOS 7D Mk II Body Only

EOS 7D Mk II with 18-135mm STM

read more


Photokina's Coming Up All The Lenses I Can't Even.

Nikon's not the only one having fun in the pre-Photokina run up. We're hearing that Sigma, Tamron, and Sony have also been announcing some new lenses, and we figured we should probably drop in and mention a thought or two on them for y'all.


People might argue with me, but for my money the coolest of the bunch is Tamron announcing the development of a 15-30mm f2.8 constant full-frame ultra-wide zoom... with image stabilization! Yup, joining the 24-70 and 70-200 will be a stabilized full-frame zoom on the wide end, completing Tamron's own holy trinity of lenses. Holier, really, once you factor in that theirs are all stabilized, and not just the 70-200. It'll be noted as model A012, and have 18 elements in 13 groups including a so-exotic-I-think-they-made-it-up XGM (eXpanded Glass Moulded aspherical) element. It'll also sport update coatings (including being Tamron's first fluorite coated lens) and a special copy of Silky Pix for working with images shot using the new SP line of Tamron lenses. Though, when it's coming and for how much are anyone's guess.

Preorder a Tamron SP 15-30mm f2.8 VC

After the Tamron, second most interesting has to be Sigma, who decided that announcing just one lens of a type was for chumps and actually announced two completely different 150-600mm f5-6.3 lenses at the same time. One is in their "Sport" line and is a pro caliber lens with heavier build and superb quality, the other is in their "Contemporary" line and offers a smaller, lighter lens in exchange for some of the quality and cost.

The Sport 150-600mm

The Sport 150-600mm


The "Contemporary" 150-600mm

The "Contemporary" 150-600mm


Both versions offer OS "optical stabilization," which is good because on zooms this big you'll need that unless you travel everywhere with a heavy-duty tripod at hand. The Sport model is splash proof and features 24 elements in 16 groups and takes a jaw-dropping 105mm filter on front. Oh yeah, and 2 of those lenses are FLD and 2 are SLD, so, dispersion ought to be pretty well addressed. The Contemporary model steps back ever so slightly from the ledge, topping out at 20 elements in 14 groups (only 1 FLD, but still 3 SLD), and a 95mm filter thread that doesn't quite manage to be reasonable either. Both lenses are solidly TBA in both the arrival and price categories, so, keep an eye out for more news as it comes.

Sigma 150-600mm Sport

Sigma 150-600mm Contemporary

If you prefer to get your super-telephoto lengths through more conventional means, they've also announced they're making a new 1.4x and 2.0x teleconverter, both of which are splash proof and autofocus up to f8 (so, yanno, not on the leviathans pictured above). If you're guessing that TBA is the trend here too, you're pretty good at this guessing thing then.

1.4x Teleconverter

2.0x Teleconverter

And, to close us out we have Sony, who's turning in the gnarliest looking lens I've seen in a while:


Those of you who this lens is meant for will know already, but those spikey rings everywhere aren't just a defense system or a way of attracting mates. The FE PZ 28-135mm F4 G OSS here is born to be a cinema lens, and all those are the tracks for easier use of cinematic zoom and focus rings, knobs, and other contraptions. Now, the FE designation lets us know this is an E-mount lens of the full-frame variety, meaning it's for use on the A7 family (A7,A7r,A7s) of mirrorless cameras. Care has been put into it to minimize breathing while focusing, and it'll maintain its focus point while zooming like a proper cinema lens. The three rings control the zoom, focus, and iris. All-in-all, a solid show of Sony's commitment to making the A7 family true stand-outs in the hot 4k video space. Availability I don't know, but the price for this bad boy will be around $2500 once we start getting them.

Sony FE PZ 28-135mm


Is Nikon's New D750 the Full Frame You've Been Waiting On?


Well, I must admit I was beginning to think it wasn't going to ever come. But, here it is, on my desk to talk about this morning: the long-awaited successor to Nikon's D700 (which is, disclosure, still my own personal workhorse camera).

The D750, the specs tell me, is a 24.3mp full-frame shooter with EXPEED IV and a native ISO range of 100-12,800 (or 50-51,200 expanded). It has newer Advanced Multi-Cam 3500-FX II 51 point AF sensor (with 15 cross types, 11 of which work down to f1.8 just dandy), and along with that gets the grouped target feature seen on other newer high-end Nikons. Nikon also claims it's their first that can work down to -3ev, so, even better for shooting in the dark. You get the updated 3D Color Matrix III module for metering, and around back the LCD is beefed up to 3.2" with 1,299k dots of resolution and new tilting feature. Full 1080p is on board (this ain't the Df after all), and it marks Nikon's first full-frame to have the WiFi built in (so you don't have to pretend you love the WU-1a anymore). Frames per second actually bumps up, unexpectedly, to 6.5frames per second. Shutter life remains rated at 150,000 frames. So, that's all definitely good news all around there.

Moving on to the more mixed news then. A keyword you'll see time and again for the D750 is "light." This is achieved by switch out some of the magnesium on the front and top for carbon fiber instead, in a 'monocoque' skinning process. The other mixed news is the specs still saying the flash sync is at 1/200 (boo) (but there's another note saying it can go to 1/250 if you want with decreased flash range between 1/200-1/250, which I can live with), and the top shutter speed drops a stop to 1/4000 of a second. So, those are some mixed bag things depending on your needs, and if you're a fan of cheating your sync to 1/320 or shooting at 1/8000 or all magnesium chassis this might not be the right shooter for you.

But I'd like t swing this back up to the brighter tone we started with by mentioning the price tag. The D750 will be available later this very month for just $2,299.95 body only. Or heck, if you're new to full-frame and need a good lens to get you going, get a 24-120mm VR with it for $3,599.95. It'll work with the new MB-D16 battery grip which'll run $485.

AFS_20_1.8G.low SB500_back.low SB500_front34r.low

Alongside the D750, Nikon has added a new AF-S NIKKOR 20mm f/1.8G ED, and a new SB-500 flash. The lens is pretty much as it says, a fast wide angle full-frame prime, and is slated to run $799.95 this month. The SB-500 is a simple flash with 100 lux LED video light, 90 degrees bounce and 180 degrees rotation. It runs on just 2 AAs to keep size and weight down. Combined with the low guide number of 24m and the lack of LCD controls makes this appealing to people who just need an occasional flash indoors, but probably less so to your average hobbyist or pro. It'll run a pretty affordable $249.95, however.

Preorders can of course be had for the lot of this, so, I'll give you some links here:

D750 Body Only

D750 with 24-120mm

AF-S 20mm f/1.8G ED



Olympus Intros New E-PL7 with "Selfie"-Oriented Features


I was kinda hoping all the buzz I was seeing about the new Pen Lite being a "selfie" camera was just the internet being its usual cynical self, but apparently no, Olympus really has built the new E-PL7 with everybody's favorite portrait style (if just to hate) in mind:

The 3-inch, 1.04 million-dot high-definition touch LCD monitor automatically turns into a mirror display and activates into its “Selfie Mode” when tilted downward in the 180-degree position, perfect for one-touch selfies. The shutter-release button appears on the screen so subjects can frame the image appropriately, shooting one second after the button is touched, and capturing beautiful selfies that could not have been captured with a smart phone alone. Selfie interval shooting provides a fun way to capture images with a custom self-timer switching button that defaults to deliver three shots at one second intervals, giving subjects time to strike different poses. When an electronic zoom lens is attached, the zoom automatically adjusts to the wide-angle position so that the user can quickly take their shot, incorporating the background as well.

The E-PL7’s bundled flash helps users take beautiful selfies against nighttime backgrounds, and e-Portrait can be activated with a single touch for more beautiful skin textures. iAuto has also been enhanced with selfies in mind: Portrait settings have been added to common scene modes to automatically detect 42 types of scenes to match the subject and optimize for the ideal image.

Well. OK then. So, that's a thing. But, don't worry, if you're into other styles of photography the E-PL7 still has you covered, and inherits a lot of trickle-down goodness from the OM-D E-M10 above it in the line-up. There's a 16.05 megapixel LiveMOS sensor being piped through a TruePic VII processor, the FAST AF system that has made the OM-D line sparkle shows up here with 87 points across the frame as well as Small AF Target and Super Spot AF for precision focusing, 8fps continuous shooting (up to 20 raws or unlimited JPG) or 3.5fps continuous with full-time continuous AF tracking, and 3-axis sensor-based IS form a solid core. The LCD hasn't just been tricked out for selfies, the aspect ratio has been changed away from the 16:9 video-ready aspect to a more image-friendly 3:2 letting you see more of the picture when using the camera as, well, a camera. There's no optical viewfinder in keeping with the Pen/OM-D differentiation, but there's still that nice optional one you can pick up if you're into viewfinders. All of the other usuals are here, like the creative filters and HD video and yadda yadda. ISO is 200-25600 natively. There's wi-fi built in and you can control it via apps for iOS and Android for easier sharing. And so on.

It'll run $599 body only, or $699 with the M.ZUIKO 14-42mm II kit lens. Both choices will come in black or silver, keeping it retro and classy. Preorders are of course waiting for you on our site, or read the press release after the jump.

E-PL7 Body Only

E-PL7 with 14-42mm II

read more


ICC Profile For Soft-Proofing Our Wide Format Printer

Good news for all you fans of our Photo Lab! We have just today re-profiled our Epson 7880 with our preferred Epson Premium Luster today! That's the combo we use for many of the larger prints that go out to satisfied customers. And, with the new profile fresh in hand we're going to make it available to all of you looking to do a little color calibration and soft proofing before sending your images over. For now this only applies to photos printed 11x14 and over on luster (obviously), but, if you're all digging it we might maybe try some for our small format printer and its two papers as well.

If you're not sure why this is awesome, having a printer's calibrated profile around will let certain programs like Adobe's excellent Lightroom 5 "soft proof" an image for printing. That is, it will simulate for you what an image would look like coming out of our printer on the luster paper so you can make any perceptual tweaks you want to knowing the final you see will be really darn close to what the print comes out looking like (accounting for things like ambient lighting and such).

As seen on screen (left) versus soft-proofed for our printer (right)

As seen on screen (left) versus soft-proofed for our printer (right). Note how the right side shows a decrease in brightness and contrast.

You download the profile here:

To install, try the following:


Download the file to anywhere you can find, right click on it and choose Install. Windows makes this pretty easy, actually.


In theory, you should just need to copy the file into /Library/ColorSync/Profiles for it to be usable by all users in all apps (you'll need admin access to the computer).

You can also install it just for yourself by using your personal library instead in /Users/[your_user_name_here]/Library/ColorSync/Profiles

If you're trying to use it in Adobe on a Mac and it's not showing up despite being installed in one of those two folders, you can copy it directly into Adobe's folder and solve that tidily: /Library/Application Support/Adobe/Color/Profiles/Recommended


Fuji Announces New X30 Compact

Fujifilm (a name which, really, gets more antiquated with each new camera from them) has today announced the upgrade to their popular X20 compact, with the rather predictable name of the X30.

Fujifilm X30 Digital Compact

If you were hoping for some upgrades to the core guts, you're gonna be disappointed. The 12 megapixel 2/3" sensor, maximum ISO of 12,800 and the 28-112mm f2-2.8 lens all match the specs of the outgoing X20. For the differences we'll have to look elsewhere, though differences there do be. The rear LCD is up to 3" from 2.8", and up to 920k dots from the more tepid 460k of the X20. And it tilts! Battery life is considerably improved, up to 470 shots CIPA average from 270 (for those too lazy to grab a calculator that's a 74% improvement). The optical viewfinder is gone though, which is kind of a bummer. They have replaced it with a pretty solid EVF with a .005 second refresh rate, 2.36 million dots, OLED construction, and using 4 lenses for .65x magnification and 100% coverage. Still, we suspect many of you will still miss the optical one however good the electronic may be, but we'll give them credit for at least continuing to try and make ever-better EVFs.

There's a new control ring around the lens, which is slowly but surely becoming a standard idea. There's also a new classic chrome film emulation mode, if you're into those. And there's a remote control app for iOS and Android now.

The X30 will come in black or silver, and set you back $599.95 late next month. As always, feel free to put in a preorder, or head over to Fuji's site to read the full press release.